Welcome to the Horizon

Part 8: The Green Man

MORNING AT THE HORIZON. FRANK EXITS THE OFFICE AND WALKS OUT INTO THE PARKING LOT SIPPING COFFEE. IT IS A TIME OF DAY WHEN HE THINKS EVERYONE ELSE IS ASLEEP. AFTER A MOMENT WE HEAR THE SOUND OF SOMETHING VERY FAR AWAY. IT CAN ONLY BE DESCRIBED AS THE CALL OF A VERY, VERY LARGE ANIMAL.

FRANK

What the fuck...

FRANK’S PHONE RINGS.

FRANK (CONT’D) Trinkett.

TRINKETT

(On the phone.)

Did you hear that?

FRANK

Yeah... yeah I did.

TRINKETT

Okay... Uh... what now?

FRANK

Hang on, I’m trying to convince myself it was an elk.

TRINKETT

Uh-huh... it wasn’t an elk, Frank.

FRANK

No... no, it wasn’t.

TRINKETT ...

FRANK

... Before we freak out about this, how about we consider it was just our imaginations and it was one of those shared hallucination things.

TRINKETT

Sure okay.

FRANK

...

TRINKETT ...

THEY HEAR THE FAR-AWAY CALL AGAIN.

FRANK

Jesus Christ.

TRINKETT

Okay... Okay... I’m voting no on our imaginations.

FRANK

What the fuck is it?

TRINKETT

... We have to go see.

FRANK

Wow, just the worst thing you could possibly say.

TRINKETT

I’m going to pack a bag, how soon can you leave?

FRANK

What?

TRINKETT

How soon can you leave?

FRANK

We’re not going out there.

TRINKETT

Of course we are.

FRANK

Trinkett, that was not the kind of sound you go towards, that’s a run away sound.

TRINKETT

Frank, time is of the essence so let me cut to the chase here. Whatever we just heard we don’t want someone else in town to find it, right? Also, I’m definitely going to go see and I know you’re not going to let me go alone.

FRANK

...

TRINKETT

I mean, we can go round and round for five minutes, will that make you feel better?

FRANK

... I’m bringing my Winchester and there’s nothing you can do to stop me.

TRINKETT

I don’t approve but whatever gets you in your truck.

FRANK

... Fine.

WE MOVE TO THE INTERIOR OF FRANK’S TRUCK DRIVING UP A MOUNTAIN ROAD.

TRINKETT

Do you think we could get up to Barrett Spur by nightfall?

FRANK

Maybe.

TRINKETT

I was thinking if we could get above the treeline maybe we could see something from there.

FRANK

Maybe.

TRINKETT

Did you bring your binoculars?

FRANK

Yes.

TRINKETT

... Are you hungry? I brought some trail bars that I made.

FRANK

Ooh, I do not want to know what’s in those.

TRINKETT

It’s sorghum, cacao nibs and molasses, Frank, it’s not a magical potion.

FRANK

Anything else?

TRINKETT

There’s some green algae in there.

FRANK

And?

TRINKETT

... Ginseng.

FRANK

If I keep asking are the ingredients going to get weirder?

TRINKETT

Probably.

FRANK

...

TRINKETT

... I can’t believe we’re doing this.

FRANK

This was your idea.

TRINKETT

I know, I still can’t believe we’re doing this.

FRANK

... We’re going to get up there and have a look and then we’re never going to hear anything again. That’s probably what’s going to happen.

TRINKETT

And I’d be fine with that.

FRANK

Good...

TRINKETT ...

FRANK

... Think it’s bigfoot?

TRINKETT

Frank.

FRANK

What?

TRINKETT

No, I don’t think it’s bigfoot.

FRANK

You don’t believe in bigfoot?

TRINKETT No.

FRANK

... You believe in a lot of things.

TRINKETT

Bigfoot isn’t one of the things.

FRANK

Okay.

TRINKETT

... Thank you for coming.

FRANK

It’s still the slow season, June’ll be fine on her own.

TRINKETT

... Oh right, you run a motel.

FRANK

What?

TRINKETT

Nothing, it’s just weird to hear about normal things now.

FRANK

I know.

TRINKETT

Bigfoot would be a relief, honestly.

FRANK

“Thank God, it’s only bigfoot.”

TRINKETT

Exactly.

FRANK

...

TRINKETT

... So there’s something I need to tell you.

FRANK

Great.

TRINKETT

... We’ve talked about this before but it’s kind of been getting lost in the noise so...

FRANK

The comet.

TRINKETT

Yes...

FRANK

Still heading for Earth?

TRINKETT

Remember I told you I had that friend in South America who worked at an observatory?

FRANK

Uh huh.

TRINKETT

He’s the one I was getting all my information from. Last I talked to him the Wayfairng Stranger was still headed for our neighborhood.

FRANK

Joy.

TRINKETT

The good news is it’s looking like it’s not going to strike Earth directly.

FRANK

Okay.

TRINKETT

But there’s still a high chance of it passing very close by. Meaning it could shed a ton of debris on Earth.

FRANK

Fantastic.

TRINKETT

But there’s no real way to know.

FRANK

Trinkett, I hate to bring common sense into the conversation, but I feel like if a comet was heading for earth that it would be on the news or something.

TRINKETT

There’s a whole community of stargazers out there. My friend Joshua is in the minority on this particular issue.

FRANK

How much of a minority?

TRINKETT

I suppose you could call it a fringe theory.

FRANK

So this could all add up to nothing?

TRINKETT

Yeah, the thing I have to tell you is: I called him yesterday to get an update and a “Corporal Diaz” picked up the phone. He said that all communication with the observatory was to go through him now.

FRANK

... Where is this again?

TRINKETT

Chile.

FRANK

... So the Chilean military has seized control of an observatory.

TRINKETT

Yes.

FRANK

... Not the greatest sign.

TRINKETT

The military is not in the habit of seizing control of observatories, no.

FRANK

... Can we get some sort ball park estimate of what could and couldn’t happen here?

TRINKETT

The ball park is... in one scenario we just have a really stunning light show as debris burns up in the atmosphere.

FRANK

That sounds good.

TRINKETT

The other scenario being several fragments of the comet the size of a small town crashing down, destroying a significant part of the earth and causing irreversible damage to the whole damn planet.

FRANK

Uh-huh... So somewhere between those two?

TRINKETT

Yes. Or nothing at all.

FRANK

Sure.

TRINKETT

Though, the way things have been going...

FRANK

“I’m sure it’s nothing” doesn’t seem to be doing it lately.

TRINKETT No.

FRANK

Okay...

TRINKETT

... Okay...

FRANK

...

TRINKETT ...

FRANK

Let’s go find bigfoot.

TRINKETT

Sure.

WE MOVE TO A TRAIL HIGH UP ON THE MOUNTAIN. FRANK AND TRINKETT MAKE THEIR WAY ALONG A NARROW PATH.

FRANK

Watch your step, it gets pretty narrow.

TRINKETT

I haven’t been up here in years.

FRANK

Park service is doing a pretty shitty job of maintaining these trails.

TRINKETT

You come up here a lot, right?

FRANK

Used to.

TRINKETT

I thought you did this every year.

FRANK

I did, but then I took over the Horizon and things got busy.

TRINKETT

You should really get back to it, rituals like this are important, Frank.

FRANK

I know... Shit.

TRINKETT

What?

FRANK

Looks like there was a rock slide at some point, the trails completely covered.

TRINKETT

Can we get past it?

FRANK

I usually complain about stuff like this and it gets fixed.

TRINKETT

Well you haven’t been up here and you haven’t been complaining, I guess this is what happens.

FRANK

... I don’t know if this is a good idea.

TRINKETT

We can get past it. We’ll climb over the rocks and the trail keeps going, it should be fine.

FRANK

We’re pretty high up, Trinkett.

TRINKETT

It’s not like I’ve never been up here, Frank. I’ll take it one step at a time, it’ll be fine. We should get a move on it’ll be dark soon.

FRANK

... Fine. I’ll go first to make sure there’s no surprises.

TRINKETT

That sounds great.

FRANK

Okay...

FRANK BEGINS TO CLIMB OVER THE PILE OF ROCKS THAT ARE COVERING THE PATH.

TRINKETT

Take it slow.

FRANK

I’m taking it slow. The rocks covering the path look pretty settled in, I think they’ve been here for a while... This is what happens to the world when I stop complaining, Trinkett. Everything goes straight to hell.

TRINKETT

Nobody understands how important you are to the world, Frank.

FRANK

Exactly... Okay, when I get to the other side I’m going to tie a rope to myself-

THE ROCKS BEGIN TO SLIP UNDER FRANK’S FEET AND THEY ALL BEGIN TO SLIDE AWAY.

FRANK (CONT’D)

Fuck- SHIT!

TRINKETT

FRANK!

FRANK SLIPS OFF THE EDGE AND OVER THE SIDE OF THE CLIFF, WITH SEVERAL SMALL ROCKS FOLLOWING AFTER HIM. FRANK IS GONE.

TRINKETT (CONT’D)

Oh fuck! Shit, Frank?!?! FRANK!

TRINKETT TAKES OFF RUNNING BACK DOWN THE TRAIL. FAR OFF SHE STILL CALLS TO FRANK.

TRINKETT (CONT’D)

(Far off.)

Frank!

AFTER A MOMENT WE MOVE TO THE BOTTOM OF THE CLIFF. FAR OFF, TRINKETT COMES RUNNING DOWN THE PATH LOOKING FOR FRANK.

TRINKETT (CONT’D)

Frank?! Frank can you hear me?! Are you hurt?! Try and make any sound at all!!... Frank?!

FRANK

I’m right here.

TRINKETT

Oh FUCK!... Holy shit, Frank you scared the SHIT out of me goddamn! I couldn’t see where you... where you fell... Where you...

FRANK

I’m fine.

TRINKETT

... You’re... you’re fine.

FRANK

Yeah.

TRINKETT

You’re...

FRANK

...

TRINKETT

... That’s... Frank that was a... four story fall.

FRANK

... Yeah.

TRINKETT

... You can’t be fine after that.

FRANK

... Let’s make camp.

WE HEAR THE SOUND OF A CAMPFIRE. FRANK TELLS HIS STORY.

FRANK (CONT’D)

... I tried to write it off as nothing... but the evidence started to mount up... First it was Rambo... When Rambo came out of the woods, all two tons of him, it was like he couldn’t see me. When June came out of the office he started howling at her, he could see her, he could see Verge. I waved my arms trying to get his attention but it was like I wasn’t there... Then there was the mushrooms... then the ayahuasca...

TRINKETT

... Frank for anyone to survive that fall would be a miracle.

FRANK

... It was like jumping down from the branch of a tree.

TRINKETT

... Her name was what? Clementine?

FRANK

Yeah.

TRINKETT

And you’re saying all this is happening because of her?

FRANK

Yes... We thought the first weird thing that happened was Relentless Rick... it was me. I was the first weird thing to happen in town.

TRINKETT

Okay, I’m going to go ahead and stick a pin in this Clementine person and whatever this diner is that you’re talking about and I’m just going to focus on you, okay?

FRANK

Okay.

TRINKETT

...What about smaller things? Are there little things you’ve noticed? Maybe not weird on their own but they add up?

FRANK

Uh... I stopped sleeping.

TRINKETT

You-... Frank, that’s not a small thing.

FRANK

Never really slept much to begin with so... I don’t know, I get tired at night like everybody else but then the sun comes up the next morning and I’m fine.

TRINKETT

... Have you told June about any of this?

FRANK

June knows but I haven’t told her about the mounting evidence. She’s been a little distracted.

TRINKETT

... Well, in retrospect you have seemed different lately.

FRANK

Different lately? Of course I’ve seemed different lately, Trinkett. I died... The guy you went to middle school with is dead... I’m not him... I’m whatever was put in his place...

TRINKETT

I don’t think that’s true, Frank.

FRANK

Trinkett, I don’t care about whatever Stevie Nicks song you’re going to sing me about my soul in the moonlight or whatever, my body was disintegrated and something else was put where my body used to be.

TRINKETT

Frank, I’m maybe the only person who can talk to you about what you’re going through right now, you want to shove it with the witch jokes for a minute?

FRANK

...

TRINKETT

... Do you remember the time I convinced you to go to my parent’s Renaissance Faire?

FRANK

You didn’t convince me to go.

TRINKETT

Right, I didn’t, you were dating some girl back then. SHE thought it would be fun, so there you were in the middle of the Renaissance Faire... Do you remember my parents’ Renaissance Faire?

FRANK

It was a pretty crappy Renaissance Fair, Trinkett.

TRINKETT

It wasn’t great.

FRANK

The Bard with the Tuba?

TRINKETT

There was a bard and she was playing the tuba, yes. But she was very enthusiastic and it was all she knew how to play.

FRANK

Kind of broke the illusion for me.

TRINKETT

Well, there were also cash registers, so...

FRAN

Why are you bringing this up?

TRINKETT

Because you were there.

FRANK

That wasn’t me.

TRINKETT

We’ve been talking a lot about your body, Frank. And thinking about it. And agonizing over it. This is more than I ever expected to talk about your body in my lifetime. I don’t know what this new thing is you’re inhabiting, but I’m here to tell you: your body, to me, and to those that care about you, is the least important part of you. It’s just a place that you live in for a while. It could be anything, honestly.

FRANK

... How do I figure out what I am?

TRINKETT

Frank, how does anybody?

FRANK

There’s nothing in the self help section of the book store for this.

TRINKETT

I know. You’ll have to write your own book.

FRANK

I don’t want to write my own book.

TRINKETT

I don’t mean literally write a book, but, side note, don’t get mad if I start taking notes around you... You should start by talking to people. But maybe talk to them before you plummet four stories off a cliff.

FRANK

I’m not telling Steve about this.

TRINKETT

Absolutely do not talk to Steve about this... But you should talk to June.

FRANK

I know.

TRINKETT

And I know you hate that because you don’t like to ask for things, but you have to, Frank. This is too big for you to be the lonely guy up the mountain.

FRANK

I’m not the lonely guy up the mountain.

TRINKETT

Kinda. You kinda are, Frank.

FRANK

I like people.

TRINKETT

You do. And it’s what you hate about yourself the most.

FRANK

... Thank you for being normal about this. Or abnormal, you’re not having the reaction I thought you would.

TRINKETT

Yeah. I’ve been thinking lately... I think we’ve barely scratched the surface.

FRANK

Of what?

TRINKETT

... Something’s going on, Frank. All these things that are happening, it’s all headed toward something. It seems random but there’s a rhyme and reason to it, I don’t know what. That experience at Cameron’s house with the mushrooms, it really broke me. Then I took the ayahuasca to try and find a way forward and in a weird way it did, because there I suddenly was with Steve in the glade of wishes. Have you noticed Doug lately?

FRANK

He’s like a different guy.

TRINKETT

Right. I mean, the same.

FRANK

Yeah, still a mess.

TRINKETT

But different. He’s really risen to the occasion. All these things are bringing us closer to ourselves and bringing us closer to each other. You and I could’ve never had this conversation a year ago.

FRANK

Scratching the surface of what?

TRINKETT

I don’t know. But all of this is heading toward something. What’s going on with you right now is just part of that.

FRANK

... I am... glad you’re here...

TRINKETT

... Wow.

FRANK

Yeah.

TRINKETT

That was rough for you you.

FRANK

It was.

TRINKETT

Are you okay?

FRANK

Not really.

TRINKETT

Well, here, let me give you something to make fun of so you’ll feel more comfortable.

FRANK

What’s that?

TRINKETT GETS UP AND GETS SOMETHING OUT OF HER BAG.

TRINKETT

I do this whenever I sleep in the woods.

TRINKETT BEGINS SHAKING A BAG AND POURING A LINE OF SOMETHING AROUND THE ENTIRE CAMP SITE.

FRANK

Okay, what’s this about?

TRINKETT

Just a little security for the evening.

FRANK

Oh my god... wait... is that just a big bag of oats?

TRINKETT

Yes.

FRANK

You’re pouring out a bag of oats right now.

TRINKETT

Yes.

FRANK

Oh boy the explanation for this is going to be really something isn’t it?

TRINKETT

Laugh all you want, this is what I do.

FRANK

Please tell me.

TRINKETT

I pour a circle of oats around my campsite... because fae people cannot cross a line of oats.

FRANK

Fae people?

TRINKETT

Yes.

FRANK

Fairies?

TRINKETT

If you must.

FRANK

You’ve just fairy-proofed our campsite.

TRINKETT

Yes, Frank. Fae people are essential and beautiful creatures and they can also be total dicks. So you surround yourself with a circle of oats to protect you from their dickishness.

FRANK

I see. And how do we protect ourselves from the legion of mice that are about to attack our campsite?

TRINKETT

I’m trusting the owls to take care of that problem.

FRANK

Well, I feel safer.

TRINKETT

Me too. Watch: fuck you, fairies! See, I wouldn’t do that if I wasn’t surrounded by oats right now.

FRANK

Okay, be honest, are you doing this just to cheer me up right now?

TRINKETT

No, but I’m glad it is.

FRANK

Okay, well now that you’ve protected our campsite from fairies with magical oats we can get a good night’s sleep before we go hunt a monster in the woods tomorrow. Because we live in Narnia now.

TRINKETT

Yes. I’d offer to keep first watch but apparently you’re not going to sleep, so it’s all you tonight. I hope you brought a book.

FRANK

I’ve got a thrilling book on Japanese furniture joinery I’ve been meaning to get to.

TRINKETT

Uh huh. But I’m the weird one.

FRANK

You are.

TRINKETT

Good night, Frank.

FRANK

Good night.

TRINKETT

Actually, give me the first few pages of that book, I bet it’ll put me right out.

FRANK

Sure.

FRANK OPENS HIS BOOK AND READS.

FRANK (CONT’D)

At its core, Japanese joinery is a testament to the profound respect for wood as a living material. Unlike Western methods that often rely on metal fasteners or adhesives, traditional Japanese joinery uses interlocking wooden joints to create furniture and structures that can stand the test of time. These joints are designed to accommodate the natural movement of wood, resulting in pieces that not only endure but often grow stronger with age.

WE FADE OUT ON FRANK READING TO TRINKETT. THE NEXT MORNING FRANK IS AT THE EDGE OF CAMP, LOOKING THROUGH HIS BINOCULARS. TRINKETT APPROACHES.

TRINKETT

Hey.

FRANK

Hey, how’d you sleep?

TRINKETT

Good, I always sleep great out here. What are you looking at?

FRANK

Here, take the binoculars.

TRINKETT

Okay... I don’t see anything, you need new binoculars.

FRANK

The binoculars are fine, it’s down over there. See that clearcutting patch?

TRINKETT

Yes.

FRANK

It’s a perfect square where the timber company cleared out the trees, now look just south of that.

TRINKETT

Huh.

FRANK

What is that?

TRINKETT

It’s another blank patch but it’s jagged as it goes through the trees.

FRANK

Right.

TRINKETT

... Like something cleared a path through the woods.

FRANK

Exactly.

TRINKETT

... Something really big.

FRANK

... Something really big.

TRINKETT

Damn... Okay... let’s go...

LATER. FRANK AND TRINKETT MAKE THEIR WAY THROUGH THE WOODS.

TRINKETT (CONT’D)

... Do you still eat food?

FRANK

What?

TRINKETT

Do you still eat food?

FRANK

Trinkett, now that we’ve had our little talk, please don’t treat me like a carnival freak.

TRINKETT

Carnival freak? Frank, come on, I was just asking a question. Wouldn’t you be curious?

FRANK

I still eat food.

TRINKETT

Okay... Good to know... You know, I was thinking last night, I’m worried that you don’t sleep anymore.

FRANK

I feel fine.

TRINKETT

Sleeping is when we commune with the astral plane, it’s really important for spiritual health, it’s why people lose their minds from sleep deprivation.

FRANK

I feel fine.

TRINKETT

But then I thought, maybe in this new form you’re existing simultaneously in this plane and the astral plane.

FRANK

I feel like I’m right here on this plane, Trinkett.

TRINKETT

What does the moon look like to you?

FRANK

The moon?

TRINKETT

Yes.

FRANK

The moon looks like the damn moon.

TRINKETT

It doesn’t look like it’s looking at you?

FRANK

Are you kidding me?

TRINKETT

... What’s that sound?

FAR OFF, WE HEAR THE SOUND OF A BLACKSMITH.

FRANK

I don’t know.

TRINKETT

Do we know anyone who lives out here?

FRANK

Honestly, since the fall I’m a little turned around.

THEY WALK TOWARD THE SOUND.

TRINKETT

Here’s an interesting question, if we find someone out here do we warn them?

FRANK

Warn them?

TRINKETT

Yeah. I mean, what if there’s something dangerous out here, shouldn’t we tell them?

FRANK

We warn them about something out here that may or may not be here, we don’t know what it looks like, and it could be our imagination?

TRINKETT

Yeah, okay, I hear you.

FRANK

Wait a minute.

TRINKETT

What?

FRANK

Blacksmith in the woods.

TRINKETT

Sounds like it.

FRANK

I know who this is.

TRINKETT

Who?... Oh!

FRANK

Maybe we should keep walking.

TRINKETT

Tavrok?

FRANK

Jesus.

WE HEAR THE SOUND OF WHITE-HOT METAL BEING PLUNGED INTO COLD WATER. TAVROK EMERGES FROM HIS WORKSHOP.

TAVROK

Good day to you, Trinkett.

TRINKETT

Hey.

TAVROK

And to you, Frank.

FRANK

Hey, Tavrok.

TRINKETT

I didn’t realize you were living out here now, who’s place is this?

TAVROK

Three seasons ago I felled the trees and built it myself. I came upon this glade after a harsh storm and decided to make it my hearth and home.

FRANK

You built all of this?

TAVROK

I was possessed by a deep yearning.

FRANK

Uh huh.

TRINKETT

It’s beautiful.

TAVROK

What brings you to the deep forest this day?

TRINKETT

Um, well...

FRANK

We uh...

TRINKETT

Have... have you been seeing anything strange lately, Tavrok? We’re kind of on a mission.

TAVROK

... So you’ve seen the beast then.

TRINKETT

The... beast?

TAVROK

Indeed.

TRINKETT

We haven’t seen anything, we’ve just heard it.

TAVROK

As have I. A great bellow as the sun rises and sets. Then in the day I have seen the path it cuts through the great wood.

For three days now it has passed my home in the twilight. I’ve yet to lay eyes on it, but soon I shall be ready.

FRANK

Ready for what, Tavrok?

TAVROK

Come. If it’s the beast you seek, you won’t find it whilst wandering the deep. You may sup with me tonight and we shall wait until it passes by in the fading light.

FRANK

We don’t want to put you out Tavrok-

TRINKETT

We’d love to.

FRANK

... We’d love to.

LATER. INSIDE TAVROK’S CABIN. TAVROK IS BUSY IN THE KITCHEN.

FRANK (CONT’D)

Tavrok, you really built this whole place? It’s really... it’s really fantastic.

TAVROK

Many thanks, Frank. I know you too are a craftsman, your words fill me with joy.

TRINKETT

Tavrok, I can’t believe you’ve been here for less than a year, it feels really lived in.

TAVROK

I believe the wood takes on a part of your soul when you work upon it. I placed within these walls all of my years.

TRINKETT

You can really tell.

TAVROK

Come, let us partake in my mead.

TAVROK PLACES TWO FLAGONS OF MEAD DOWN ON THE TABLE.

FRANK

Well, now.

TRINKETT

Thank you.

TAVROK

I drink to you, my friends: By chalice, flagon, or humble horn, We drink to friendship 'til the morn.

FRANK

L'chaim.

THEY ALL DRINK.

FRANK (CONT’D)

Oh my, that is tasty.

TAVROK

Please excuse me. I must tend the fire and turn the elk loin.

TAVROK EXITS OUT THE BACK DOOR.

TRINKETT

I can never tell if he’s for real or not.

FRANK

I don’t know if he’s for real but I’m drinking mead and about to have some elk loin, I had no idea Tavrok was running a destination restaurant out here.

TRINKETT

I wonder if he has a vegan option.

FRANK

Don’t ruin it.

TRINKETT

So June used to date him?

FRANK

Oh yeah, it was pretty serious for a while but then he wanted her to move out here and raise chickens or something.

TRINKETT

That was the deal breaker?

FRANK

Apparently.

TRINKETT

The man built his own cabin and looks like he escaped from the cover of a fantasy novel, she couldn’t raise a few chickens?

FRANK

I think the attractiveness of a man drops sharply when he asks you to do manual labor.

TRINKETT

Might have done her some good.

FRANK

Hey, he’s single, make your move.

TRINKETT

His body is 90% deer meat, it would never work.

TAVROK WALKS IN WITH A TRAY OF SIZZLING MEAT.

TAVROK

We dine.

LATER IN THE EVENING. TAVROK RECITES A POEM.

TAVROK (CONT’D)

O cruel Fate. O bitter tears. That steal away our golden years. Though kingdoms rise and empires fall, Her memory I'll forever recall. By candlelight I weep and pray, For she who's gone so far away. Till stars do fade and time shall cease, My love endures beyond life's lease.

THEY CLAP.

FRANK

Amazing. Amazing work.

TRINKETT

It’s so real, Tavrok.

TAVROK

Many thanks. It is one of many I’ve composed since June and I parted. One day I will awake and the verses will not come. But that day has yet to arrive. If you will excuse me, the honeycakes are now ready.

TAVROK EXITS.

TRINKETT

Honeycakes too?

FRANK

I’m excited about the honeycakes.

TRINKETT

Damn. June’s got to get it together, she’s got to take one for the team.

FRANK

Are you a little drunk right now?

TRINKETT

I’m a little drunk right now, are you?

FRANK

I don’t know.

TRINKETT

I think this was good. I don’t think we came out here for the thing in the woods, I think we needed to get out of the city and get back to basics, right?

FRANK

I love that you call Hood’s Pocket “The City”.

TRINKETT

I know right?

WE SUDDENLY HEAR A DISTANT AND DEEP “THUD”, LIKE A HUGE FOOTSTEP.

TRINKETT (CONT’D)

... Did you feel that?

FRANK

I think so.

GIGANTIC FOOTSTEPS MOVE CLOSER AND CLOSER.

TRINKETT

Holy shit.

TAVROK REENTERS.

TAVROK

... It comes.

FRANK

Everybody stay where you are, I’m going to get my rifle.

TAVROK

And I, my sword.

FRANK

Tavrok don’t-

TAVROK DRAWS A COMICALLY LARGE SWORD.

FRANK (CONT’D)

... whatever.

FRANK GETS HIS RIFLE FROM HIS PACK AS THE CREATURE GETS CLOSER AND CLOSER. ITEMS INSIDE TAVROK’S CABIN BEGIN TO SHAKE.

TRINKETT

How fucking big is this thing?

THE FOOTSTEPS STOP AND WE HEAR THE CALL OF THE BEAST. THEY DON’T RECOGNIZE IT, BUT WE CAN RECOGNIZE IT AS THE CALL OF THE MUNGO.

TAVROK

We go together, Frank. For glory.

FRANK

Fuck it. Let’s go.

FRANK AND TAVROK EXIT THE CABIN AND INTO THE GLADE. THE MUNGO CALLS AGAIN.

FRANK (CONT’D) Oh my God.

TAVROK

... look at it’s majesty.

FRANK

What the fuck is that?

TAVROK

Keep it in your sights, Frank. I will make my way towards it.

TRINKETT

Guys.

FRANK

Tavrok, it’s the size of an apartment building, it’s not going to notice your sword.

TRINKETT

Guys... It’s just eating the pine cones.

WE CAN NOW HEAR THE SOUND OF THE MUNGO STRIPPING THE TREE BRANCHES OF PINE CONES AND EATING THEM WHOLE.

TRINKETT (CONT’D)

Tavrok do you have a basket of pinecones for starting fires and stuff?

TAVROK

By the door.

TRINKETT

Give me a minute, guys.

FRANK

Bad idea, Trinkett.

TRINKETT

Don’t worry about it.

TRINKETT PICKS UP THE BASKET AND MAKES HER WAY ACROSS THE GLADE. AS SHE APPROACHES THE MUNGO IT GROANS AT HER APPROACH.

TRINKETT (CONT’D)

Hey there... I have a whole bunch of those right here.

THE MUNGO SLOWLY LOWERS ITS LONG NECK ALL THE WAY DOWN TO TRINKETT AND BEGINS EATING THE PINE CONES. WE CAN NOW HEAR IT’S MASSIVE EXHALES THROUGH ITS HUGE NOSTRILS. TRINKETT PETS ITS HEAD

TRINKETT (CONT’D)

Hey you... what are you?... You look like you’re a long way from home. It’s a big forest, though. You’ve got it all to yourself for as long as you want it, okay?

TAVROK AND FRANK APPROACH BEHIND HER.

FRANK

Well, this’ll be a fun town meeting.

TAVROK

It is a placid beast. A gentle one.

FRANK

Thank god, it could flatten the whole town in an hour.

TAVROK

I must learn to ride it.

FRANK

No.

TRINKETT

Yeah, I don’t think you should try and ride it, Tavrok. You are going to need to keep an eye on it though, this being is in a strange, new place now... How about you give it a name?

TAVROK

A name. Yes. A creature this majestic deserves a name of majesty... I Tavrok Stormbringer dub thee... Lucian Thunderstruck.

FRANK

Oh give me a fucking break.

THE MUNGO CALLS INTO THE NIGHT. WE TRANSITION TO FRANK’S TRUCK DRIVES TOWARD HOME.

TRINKETT

... This was really great.

FRANK

... I’m glad you had a good time.

TRINKETT

I did... You didn’t have a good time?

FRANK

We think it’s okay to just leave Tavrok with that huge thing?

TRINKETT

Lucian.

FRANK

Please don’t make me call it Lucian.

TRINKETT

They’re going to be great together. We’ve just given the fantasy-obsessed woodland blacksmith a mythical creature to take care of. This is the best day of his life.

FRANK

Yeah...

TRINKETT

... We’re going back to town and reality is setting back in? You’re still wondering what the hell you are?

FRANK

I am, Trinkett. Yes.

TRINKETT

That’s okay...

FRANK

...

TRINKETT

... In my world, there’s this guy called The Green Man. You’ve probably seen pictures, it’s a man but he’s covered in leaves and twings.

FRANK

I think I’ve seen some tattoos.

TRINKETT

Oh yeah. Tons of tattoos of The Green Man out there. He’s this mysterious spirit of the forest whose been wandering since the beginning of time... You know, a lot of people think that The Green Man is from medieval England. But actually you can see depictions of The Green Man from the 2nd century BCE in Iraq. You can see him in India, Nepal, Borneo. Nobody really knows where he came from... Maybe he doesn’t either... That big creature we just met, he’s wandering around in the forest not knowing where he is or why he’s there. You are too... But the thing is Frank: so am I. So is anybody... It’s all the same journey... yours just looks a little different.

FRANK

... So what am I supposed to do now?

TRINKETT

You think it’s this thing you need to do... Just live, Frank... The journey will take care of itself.

LATER, BACK AT THE HORIZON. ELDIN IS OUTSIDE VERGE’S ROOM.

ELDIN

Verge, you can’t put me outside every time we have an argument, you’re being a child.

FAR OFF WE HEAR THE CALL OF THE MUNGO.

ELDIN (CONT’D)

... Is that a fucking Mungo?

FRANK’S TRUCK PULLS UP TO THE HORIZON AND FRANK GETS OUT.

ELDIN (CONT’D)

Good evening, Frank.

FRANK

Eldin. What are you doing out here?

ELDIN

It happens sometimes. Verge and I get into an argument and they put me out here on the handrail.

FRANK

That happen a lot?

ELDIN

More and more recently.

FRANK

Kind of wish I had that option with a few people.

ELDIN

Don’t you, though?

FRANK

What if it rains?

ELDIN

I can operate in the void of space, Frank.

FRANK

Sure.

FRANK STARTS TO WALK INTO THE OFFICE AND THEN STOPS.

ELDIN

Can I help you with something, Frank?

FRANK

Back at the house of mushrooms... you scanned my lungs.

ELDIN

... I did.

FRANK

...

ELDIN

...

FRANK

... So, we should talk.

ELDIN

I thought you’d never ask. Please, step into my office.

THE END.